Nattoo’s Tattoo

Illustrator, Richard Natoo

When you hear ‘tattoo’, you immediately think ink and body art, right? But much like military tattoos, which are elaborate, dynamic displays of lively marching bands, precision drill movements and performances, so too are the widely acclaimed works of Richard Nattoo, that immediately command your attention.   

Even though he may not be manoeuvring a tattoo gun, the young paint-slinger’s creations certainly leave an indelible mark on art pundits, buyers, spectators and just about anyone who comes in contact with his collection. Suffice to say, Nattoo’s works are celebrated for vibrant palettes, flamboyant brush strokes and meticulous designs.  

Nattoo was born in 1993, Spanish Town, Jamaica, to a shopkeeper and an auto mechanic.  From a tender age, he’d developed an active interest in colours, textures, forms and shapes.  Since then – and with the need to find a positive outlet to let loose his creative expressions, Nattoo has incubated varied influences to create his own style.

Her Birth of An Echo

During his tenure at Ardenne High School, his art teachers would expose him to different, domestic and foreign art movements, which later provided him with a deeper understanding of local art luminaries. This epiphany would soon prod his career as a fine artist who creates works that wildly differ in theme, content, style and medium.

After he’d begun to experiment with his own style, Nattoo found his first outlet, designing sticker decals for flamboyant coaster busses that traverse the Portmore and Spanish Town routes. Having garnered accolades from within his hometown and among the bus owners and operators, his confidence had gotten a well needed boost, which further propelled his art and the evolution of his style.

Blackbird Featherbird


For the past eight years, Nattoo has been exhibiting his works which have been featured in several exhibitions at the National Art Gallery: Jamaica Biennial (2014), Young Talent (2015), and Digital (2016) exhibitions.

During that time, he’s amassed praises for his surreal, dreamlike creations that explore human emotions and in his words – “on a raw cerebral level”. The alternate reality which he creates, are linked to existentialism and the constant search for the meaning of life. It also represents motifs that juxtapose each other such as despair and hope, fear and bravery. Nattoo brings these ideas to life through a variety of mediums including watercolour, glass, pen and ink.

If you’ve wondered where else you may go to see Nattoo’ s art, the Kingston on the Edge festival would be another great start.   Nattoo has been a contributor to this art festival since 2012, with his most notable contribution being Explorations II (2015). His most recent exhibition, Lost in the Echo (2016), heightens his exploration of the motifs he generally employs.  This creation of a sort of continuum, he says, serves to remind his viewers of how the chapters of a book gradually prepares the reader for climax. 

Blackbird Featherbird

Richard Nattoo is a graduate of the School of Architecture at the University of Technology, Jamaica. He uses his skills and competencies obtained during his academic life to bolster his work and he does so with a high degree of precision – which is uncommon in the local art landscape. 

We delved deeper into Natoo’s passion for the arts and to learn what inspires him most:

Q. What inspires you to do art and what does art mean to you?

A. Art to me is actually breathing. I do art to understand the dynamic of my personality. The I feed the brush and the pigment with data and when it marries the paper it becomes information that I then interpret. I am inspired by my own humanity.

Q. At what age did you realise you had a love for art?

A. At age 4 when I watched a program called Pappyland. The host drew a peacock and it came to life and I knew that’s what I wanted to do. Create something that comes alive. 

Q. What stories do you tell through your work?

A.  I tell stories of anxiety and I tell stories of a wanderer in a world trying to find himself with the help of his spirit animals.

Q. What has been the highlight of your career?

A.  Getting fully sponsored for a USD$4000 residency at the Vermont studio center.

Q. Tell us about your most intricate and time consuming masterpiece.

A.  Blackbird Featherbed is my masterpiece. I did it in a time when I was at my lowest. The peacock in it is the same peacock in the piece Rigor Samsa. In addition, peacocks are an ode to young Richard who was inspired by them.

Q. How has art been a form of therapy for you?

A.  Art has always been a ladder for me. When I did FRAGILITY Part 1, I produced 100 pieces to help me get out of the dark place I was in, in my personal life. So art helps me to digest my feelings externally. 

Q. Through your work, how do you encourage others in the creative industry?

A.  I encourage creatives to be true themselves and follow their true north. Be an individual.

Q. What advice do you have for upcoming artists?

A.  Keep on creating. Be consistent. 

Too see more of Nattoo’s work, follow @djsinista1 on Instagram!

JAYECAN Unveils Canadian Chapter

From Caribana in Toronto to Ottawa’s Reggae Festival, cultural influences from Jamaica have been oozing through Canadian borders for quite some time.  To add to this growing ebb of cultural reverberations, Jayecan decided to launch its first international chapter in Canada. 

With aid from one of our island’s informal cultural ambassadors, and recent graduate of the University of the West Indies, Darynel Beckford, we’ve been able to foment and intensify a global appeal for Jamaican art forms. To learn more about this new venture, we had a chat with the 23-year-old stylist and budding communication expert:

Q. What is your vision for JAYECAN’s Canadian chapter?

A. The ultimate goal is to expand JAYEYAN’s platform in order to facilitate extending our reach to the diasporic community in Canada, by providing spaces where people who aren’t directly affected by our culture can interact with it, learn and develop an appreciation.

Q. What plans do you have to coalesce the Diaspora and Jamaican culture while in Canada?

A. In Canada, we plan to, through dialogue with different creative industry stakeholders at the micro and macro level, establish connections with Jamadian organisations – which should facilitate birth country and home country interactions – while taking into consideration other Jamaican diasporic communities across the globe – where possible. Most of these initiatives may take place online, until we can facilitate booking transnational flights.

Q. What do you love most about Jamaican art and culture?

A. Jamaican culture is simply one of the most globally impactful cultures – and should be protected at all costs. Our influence is seen in a variety of media and the only issue I have with that is that it is often appropriated and stolen from us and rebranded as someone else’s creation. Too often our choreography, for example – from dancehall steps to movements at the base in popular American music videos – is taken by copycats. And when our culture is claimed by others, what then can we do but sue?

Q. How has arts and culture impacted your life?

A. Art and Culture has been my source of just letting go and being unapologetically me, in the most abstract way. I love being on a stage and feeling the energy of the audience with every time that I emote, even if it’s not in a lead role. I love being artistic in how I style myself as well – because we have a limited control of our somatic appearance, but one thing we can control is how we dress. I am so grateful for clothes, theatre, content creation and all the artistic journeys that I’ve had the pleasure of experiencing during my very young life.  I think most of my present perspectives would have been absolutely ridiculous to me if I weren’t able to understand and interpret them through art and culture.

Q. In what ways have you been involved in arts and culture?

A. I’ve been involved in art and culture since high school. I guess it’s kind of a rite of passage for most Caribbean students, who will have to do things outside of their comfort zones throughout high school – in order to have an idea of what they really want to do. After leaving high school, I made the very deliberate and bold decision, to become an actor of some sort, once I got into Uni. It started from AZ Preston Hall on the UWI Mona Campus to QUILT, and from there, quite a number of opportunities opened up for me. Whether it was acting, modelling, styling or just creating content, QUILT has been the bedrock of most of those initiatives for me. Otherwise, I’m just someone who really loves the freedom that art gives and I’ll lend a hand to any creative project, once I can.

Darynel Beckford is also a growing YouTuber and content writer/creator, with his Lifestyle x Beauty x Style Vlog (and soon to be blog) Darynel Weekly. He has worked with popular Jamaican fashion and styling brands such as Tribe Nine Studios, Collection Moda and EtAl.  He has been working in the performing arts for over 5 years. While at the UWI, he was a member of several creative groups and was casted in a local theatre production, Heist, written by Maya Wilkinson.  While he loves theatre, Darynel also has a love for music with much of his high school years having been devoted to the award-winning Manchester High School Choir.  Darynel is now based in Toronto, Canada, where he works in crisis communication and aims to make his imprint as a stylist and content creator. 

Join the movement today! Follow us on Instagram, Twitter and Facebook at @jayecan_

Governor-General Endorses JAYECAN

The projects endorsed by Sir Patrick Allen include JAYECAN, a youth empowerment initiative of IBI Ambassador Abrahim Simmonds and The Little Genius Competition of Ambassador Tishauna Mullings.  Mr. Simmonds has since been named Queen’s Young Leader for 2017 while Miss Mullings was a participant in this year’s President Obama Youth Leaders of the Americas Initiative.  

Sir Patrick Allen presented an endorsement plaque to IBI Ambassador Abrahim Simmonds for his project Jamaican Youth Empowerment Through Culture Arts and Nationalism (JAYECAN) during the IBI Luncheon on Tuesday (November 29, 2016) at the Spanish Court Hotel. 

The other two projects are “My Dream” by Life Transformational Solutions headed by Ambassador Cordell Williams Graham and the Rory Frankson “I Believe” (musical) Tour.    In his remarks, Sir Patrick Allen said that as Jamaica celebrates fifty-five years of independence in 2017, IBI Ambassadors should seize the opportunity to let the initiative make its most significant impact ever.   “I want us to commit today, that next year we will redouble our efforts to ensure that our programmes and activities create tangible pathways for restoring hope, belief and sound values in Jamaican families, our youth, as well as our system of education,” the Governor-General stressed. He also had high commendations for the IBI’s major sponsors including the Embassy of the People’s Republic of China which has contributed $4.1 million for the implementation of IBI projects.    “Their generosity of spirit has given us the opportunity to make meaningful contributions of audio visual equipment, classroom furniture, laptop computers and desktop computers to IBI satellite campuses and outreach projects in Trelawny, Westmoreland, St. Catherine and Portland,” Sir Patrick Allen stated.